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#Eagles long road out of eden full#
#Eagles long road out of eden software#

#Eagles long road out of eden software#

Because of this, the track timings given here have been determined from CD player software displays. In particular, there is a difference of two minutes for track 1-1, and a difference of over thirty seconds for tracks 1-7 and 2-4. Track timings on the outer packaging are significantly different from actual track timings. Packaging: Gatefold cardboard sleeve with 20 pages booklet containing credits, song lyrics and band photos.Īlthough Steuart Smith is not credited on this release for writing tracks 1-3 and 2-4, he is credited for those songs in the databases of ASCAP and BMI.Īlthough John David Souther is not credited for writing track 2-5 on this release, he is credited for that song in the databases of ASCAP and BMI.

Written-By – Steuart Smith (tracks: 1-3, 2-4).

Tenor Saxophone, Alto Saxophone – Chris Mostert.

Technician – Bobby Carlos, Brian Hunt, John Gabrielli, Victor Rodriguez.

Orchestrated By – Glenn Frey, Richard F.

Keyboards, Accordion, Trombone – Michael Thompson (3).

Guitar, Keyboards, Mandolin – Steuart Smith.

Guitar, Keyboards, Bass, Vocals – Glenn Frey.

Engineer – Andy Ackland, Eddie Delana*, Jason Lader, Jeremy Janezcko*, Jim Nipar, Than van Nispen.

Engineer – Chris Bell (2), Hank Linderman, Mike Harlow, Mike Terry (2), Richard F.

Drums, Percussion, Guitar, Vocals – Don Henley.

Co-producer – Bill Szymczyk, Richard F.

Arranged By – Don Henley, Greg Smith (3).

But overall this is an album played with verve, filled with lyrical incisiveness and still retaining the warm smell of colitas, whatever they are. It’s a pale shadow of "Life In The Fast Lane”. Only the falsetto funk of "Fast Company" resorts to TOO many automotive metaphors. "Center Of the Universe" may be one of the best things they’ve EVER done and for real fans there’s also a bona fide treat with the J D Souther–penned "How Long" which dates from their early 70s repertoire.īrimming with lush harmonising that still epitomises the partyed-out mellowness of the Sunshine State (cf: the opening eco-lament "No More Walks In The Wood"), Long Road… is far better than it deserves to be. Even without the sleevenotes you’ll have fun spotting the cynical digs of Don Henley ("Frail Grasp On The Big Picture" is a brutally dark look at the ignorance of Middle America when it comes to politics and culture beyond the back yard), the gonzoid wonkiness of Joe Walsh ("Guilty Of The Crime" and the hilarious ode to growing up and staying in, "The Last Good Time In Town") and the sensitive, country-tinged tracks owned by Glenn Frey ("No More Cloudy Days" and the companion to "Tequila Sunrise" that is the mariachi-flavoured "It's Your World Now" ).

Point taken.īut Long Road… is no miserable trudge through worthy protest songs, it’s also a (predictably) sleek vehicle for all the things Eagles fans love. It’s also beautifully rounded off by a short guitar instrumental called "I Dreamed There Was No War". It’s their "Hotel California" for the new age a surreal nightmare of excess in foreign parts. A doomy, weary drag through Bush’s Iraq, painting an impressionistic portrait of homesick soldiers lost in the desert and blind to the region’s historical significance, while their commanders try to keep the spirit of the States alive with barbeques and pecan pie: 'bloated with entitlement, loaded on propaganda'. The title track – a ten-minute centrepiece – is the key text here.

#Eagles long road out of eden full#

Walsh's guitar stings like a bee, and you’d be hard-pushed to date this as an album that comes a full 28 years after their last studio effort were it not for its subject matter. Both strengths seem utterly undiminished. While to many the Eagles - and their reputation of a somewhat hedonistic heyday - represent all that went wrong with the Californian dream, it’s also undeniable that not only were these guys players of the highest calibre, they also were not bad at critiquing their own peer group: sniping at coke-fuelled egos from the heart of the white powder maelstrom. Luckily it's all been just about worth it…

The difference of course is that Bruce and Shakey have been churning out work on a regular annual basis throughout the 21st century, whereas it took Henley, Frey, Schmit and Walsh a whole SIX years in the studio to get this double album on the shelves. With the Boss and Old Neil back on form, here comes the real West Coast contingency also fired up about war in the Middle East and reflecting on the ageing process in fine style. This is proving to be a big year for elder statesmen of yankee 'Legacy Rock'.